Remembering Milt Jackson
By Lazaro Vega, 1989
Interview with Lazaro Vega prior to a Modern Jazz Quartet performance at Hope College, Holland, Michigan in September of 1989. Broadcast at the time on Blue Lake Public Radio; portions appeared in an advance article published by the Grand Rapids Press. Jackson was on the phone from Teaneck, N.J.
Lazaro Vega: Did you go to Michigan State?
Milt Jackson: No, no, I didn't go. I had class there. They let me go because they wanted me to play in the band. They had a jazz band out there. I never actually attended college.
Showing posts with label Milt Jackson. Show all posts
Showing posts with label Milt Jackson. Show all posts
Friday, February 3, 2012
Sunday, January 29, 2012
Paintings: Milt Jackson "Tribute" (~BRUNI Sablan)
Milt Jackson Painting by BRUNI Sablan
Milt Jackson - "Tribute"
Media: Oil on Canvas
Catalog#: 516
Size: 20" x 30"
BRUNI Sablan's Official Website: ~www.brunijazzart.com
Friday, January 27, 2012
Album: Milt Jackson - Jackson's Ville
Milt Jackson - Jackson's Ville
Album review ~allmusic.com
This fine 1956 date features Jackson leading a session that moves with ease and authority through a relaxing eight-minute ride on Charlie Parker's "Now's the Time," an Ellington ballad medley, and a pair of the vibist's own blues-based, hard bop compositions. The real treat here is Lucky Thompson's tenor sax. The Don Byas-influenced Thompson has a sound that invites the listener to luxuriate in its grace and strength. Thompson solos on "Mood Indigo" with a sublime, breathy legato, adding bite and rougher edges -- without sacrificing nuance or subtlety -- on Jackson's "Minor Conception" and "Soul in 3/4."
Sunday, January 22, 2012
Biography: Milt Jackson (~all·About·Jazz)
Born: January 1, 1923
Died: 1999
Instrument: Vibraphone
Born on Jan. 1, 1923, in Detroit, Jackson's musical beginnings were in the neighborhood gospel churches as a pianist, guitarist, violinist percussionist and singer. He took up the vibraphone in high school.
He moved to New York, played with Earl Hines and in 1945, joined Dizzy Gillespie's big band rhythm section, which also included pianist John Lewis, bassist Ray Brown and drummer Kenny Clarke.
He worked with Charlie Parker, Thelonious Monk and Miles Davis and in 1951 recorded with Gillespie bandmates Lewis, Clarke and Brown. Inspired by that recording, they reformed as the Modern Jazz Quartet in 1952 with Percy Heath replacing Ray Brown and Connie Kay taking the drum chair after the departure of Kenny Clarke in 1955. For the following 50 years the sound of Milton “Bags” Jackson's vibraphone would signature the Modern Jazz Quartet and inspire generations of followers.
Jackson's impassioned improvisations and compositions, including “Bluesology” and “Bag's Groove,” helped define the MJQ sound. Jackson recorded many splendid dates as a leader, including, The Ballad Artistry Of Milt Jackson, Ballads And Blues and Big Band Bags, and worked with many jazz immortals, including John Coltrane, Coleman Hawkins, Ray Charles and Quincy Jones. In '99 he fronted an exciting album date with the Clayton-Hamilton Jazz Orchestra, Explosive! (Qwest).
He died in 1999.
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